Poster launch of Hindi short film DASTAK featuring Tushar Kumar – Saru Maini
Poster of Hindi short film “Dastak” starring Tushar Kumar, Saru Maini and Sunaina was launched with much fanfare in Mumbai. Dastak was celebrated by cutting a cake on the occasion. Produced by Kumar Charitable Trust (Ashok Shah) and Shruti, the film is directed by Rajiv S. Ruia, written by Priyanka Mehta, music by Rajesh Sharma, sung by Tushar Verma. Actor Tushar Kumar, who has a similar face to Aditya Roy Kapur, lives in Melbourne, Australia, but acting is not his hobby but his passion. He told that in the era of OTT and short films, in such a situation Dastak is a great suspense thriller short film directed by Rajiv S Ruia. It was a memorable experience working with co-actress Saru Maini, she is very professional and supportive. Shooting in the scorching heat in Surat was quite challenging for...
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In a remarkable turn of events, a newly released song by artist AB Rockstar featuring Bollywood actress Anjali Sharma has taken the music world by storm, quickly becoming a viral sensation. The catchy tune, which showcases the diva’s quick moves, has captured the hearts of listeners across the globe. Within hours of its release, the song began spreading like wildfire on social media platforms, captivating listeners with its infectious melodies and thought-provoking lyrics. Fans and music enthusiasts alike were instantly drawn to the artist’s distinctive sound, creating a buzz that quickly transformed into a viral phenomenon. The song’s popularity has skyrocketed, amassing amazing views, shares, and downloads across various streaming platforms. Listeners have flooded comment sections, expressing their admiration for the artist’s exceptional musical abilities and praising the song’s relatability and emotional depth. Anjali Sharma, whose rise to prominence...
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———-Sundeep Bhutoria By the end of the 1960s, Hindi cinema was poised for a change. The decade had largely been about escapist cinema, and though some of these had great songs, there was little that was creative and path-breaking by way of content. The odd exceptions – Bandini, Sahib Bibi Aur Ghulam, Anupama and Teesri Kasam – only proved the rule about a decade that replaced the artistic aspirations of the 1950s with what has in effect come to define ‘Bollywood song-and-dance’ cinema. The advent of the Film and Television Institute of India (FTII) in 1962 played an important part in this change, with its first batches beginning to enter the industry, bringing in a change in aesthetics. The year 1969 was to be a watershed in the history of Hindi cinema, with three films that proved instrumental in ushering in a new...
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