THE DRAMA COMPANY ने भारत की कहानियों, लोककथाओं और आधुनिक ड्रामा के लिए एक नए डिजिटल मंच का विज़न प्रस्तुत किया
एक मोबाइल-फर्स्ट स्टोरीटेलिंग प्लेटफॉर्म, जो भारतीय लोककथाओं, पौराणिक कथाओं, क्षेत्रीय किंवदंतियों और समकालीन ड्रामा को नई पीढ़ी के दर्शकों तक पहुंचाने का लक्ष्य रखता है। नई दिल्ली, भारत: ऐसे दौर में, जब दर्शक तेजी से अपने मोबाइल स्क्रीन पर मनोरंजन की दुनिया तलाश रहे हैं, THE DRAMA LOK एक विशिष्ट सोच और बड़े विज़न के साथ डिजिटल एंटरटेनमेंट की दुनिया में प्रवेश की तैयारी कर रहा है—एक ऐसा आधुनिक स्टोरीटेलिंग यूनिवर्स, जिसकी प्रेरणा भारत की सांस्कृतिक आत्मा से ली गई है। https://www.youtube.com/shorts/Jy9mD0S8iUI मोबाइल-फर्स्ट और शॉर्ट-फॉर्म एंटरटेनमेंट प्लेटफॉर्म के रूप में तैयार किया जा रहा THE DRAMA LOK, भारतीय लोककथाओं, पौराणिक कथाओं, क्षेत्रीय किंवदंतियों, लोक रहस्यों, प्रेम कहानियों, ऐतिहासिक कथाओं और समकालीन ड्रामा को एक साथ लाने का लक्ष्य रखता है। इन कहानियों को आज के डिजिटल दर्शकों के लिए आकर्षक, सिनेमाई और एपिसोडिक फॉर्मेट में प्रस्तुत किया जाएगा। प्लेटफॉर्म...
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Is the film’s Naxal-affected backdrop overshadowing what is essentially a love story? Mumbai: Shantanu Maheshwari and Rinku Rajguru starrer Sahiya, directed by Sanjay Sharma, continues to await its CBFC certificate even after its preview. The film, set against the backdrop of the forests of Jharkhand and a Naxal-affected region, has now sparked curiosity over whether its sensitive setting is playing a role in the prolonged certification process. However, there is no official confirmation that the film has been denied certification or that any objection has been raised specifically over its Naxal-related backdrop. The film is currently awaiting certification, leaving its makers and the team looking forward to clarity on its release journey. Interestingly, the makers insist that Sahiya should not be viewed merely as a film about Naxalism. At its core, the film is presented as a love story...
Read MoreMr. Hitesh Nihalani Marks 20+ Years With Crown Construction And N K Builders & Developers
Mr. Hitesh Nihalani, Partner at Crown Construction Company and N K Builders & Developers, celebrates more than two decades of leadership in Mumbai’s construction and real estate sector. With over 20 years of hands-on experience, Mr. Hitesh Nihalani has played a pivotal role in shaping residential developments across the city. Under his stewardship, both Crown Construction Company and N K Builders & Developers have built a reputation for quality construction, on-time delivery, and transparent business practices. “Real estate is about more than buildings. It’s about trust,” is his belief. “For 20 years, our focus has been on creating durable, well-designed spaces and maintaining long-term relationships with our clients, partners, and communities.” Known for combining traditional construction values with modern design and compliance standards, Mr. Hitesh Nihalani has guided his companies through multiple market cycles while adapting to new materials,...
Read More“The Sixth Sense” Paintings & Sculpture Exhibition By 5 Contemporary Renowned Artists In Jehangir Art Gallery
“The Sixth Sense” A Group Exhibition of paintings & sculpture Five Contemporary Renowned artists – Ajey Dalvi, Kavita Salunke, Deepak Thopate, Dr. Tanaji Awaghade, & Surendra Kudapane. VENUE: Jehangir Art Gallery Auditorium Hall M.G. Road, Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm Contact: +91 98 81 23 24 25 THE SIXTH SENSE A Group Exhibition of Paintings & Sculpture The Sixth Sense brings together five distinctive artistic journeys—Ajey Dalvi, Kavita Salunke, Deepak Thopate, Dr. Tanaji Awaghade, and Surendra Kudapane. The exhibition explores the intuitive connection between art, emotion, perception, and inner vision. Through colour, form, texture, geometry, sculpture, and landscape, each artist presents a unique perspective of the world. From Dalvi’s expressive colours and emotions, Awaghade’s spiritual geometric compositions, Thopate’s expressive sculptures, Kudapane’s layered abstraction, to Salunke’s evocative landscapes shaped by memory and place, every work reflects an individual artistic voice. The...
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