“RELATIONS” An Exhibition Of Paintings & Drawings By Renowned Artist Sajal Kanti Mitra At Jehangir Art Gallery
From: 13th to 19th January 2026 “RELATIONS” An Exhibition of Paintings & Drawings By Renowned artist Sajal Kanti Mitra VENUE: Jehangir Art Gallery 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing:11am to 7pm Contact: +91 9831429243 In the works of Sajal Kanti Mitra, figuration and abstraction exist in a continuous, deliberate dialogue. His paintings unfold within a threshold space where faces, bodies, and gestures momentarily emerge from layered fields of colour, only to recede again into atmosphere and rhythm. Rather than offering linear narratives, the works propose states of becoming, images held in suspension, as if caught between thought and emotion. Mitra’s visual language is rooted in an urban consciousness, yet it is tempered by an inward, almost musical lyricism. The recurring female forms across his canvases function less as portraits and more as presences, self-contained, introspective, and quietly resonant. Their elongated...
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“Sacred India” 17th Solo Show Of Paintings By Renowned Artist Paramesh Paul At Nehru Centre Art Gallery
January 13 to 19, 2026 “Sacred India” 17th Solo Show of Paintings By Renowned artist Paramesh Paul VENUE: Nehru Centre Art Gallery AC Gallery, Discovery of India Building Dr. Annie Besant Road Worli, Mumbai – 400018 Timing: 11am to 7pm Contact: +91 9833748993 Renowned artist Parameh Paul is showing his recent work “Sacred India” 17th Solo Show of Paintings at Nehru Centre Art Gallery, AC Gallery, Worli, Mumbai from 13th to 19th January 2026 between 11am to 7pm. A Luminous Journey through Sacred Sites Paramesh Paul pays an earnest and deeply emotive tribute to the scenic and sacred beauty of places like Varanasi and Pandharpur. In glowing, warm colours — amber, gold, and vermilion — these works are created with utmost care and devotion. A sense of awe is evoked through the dense compositions, while a serene, sublime calm...
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“Between Form And Silence” Recent Works By Artist Asha Shetty In Jehangir Art Gallery
From: 29th December 2025 to 4th January 2026 “Between Form and Silence” Where the unseen begins to speak Recent works By Contemporary artist Asha Shetty VENUE: Jehangir Art Gallery 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm Contact: +91 9326475228 Between Form and Silence – Solo Exhibition by Asha Shetty Between Form and Silence is a solo exhibition by Mumbai-based contemporary artist Asha Shetty, presented at Jehangir Art Gallery, Kala Ghoda. The exhibition brings together recent works in acrylic and ink on canvas that move between abstraction and figuration, exploring states of balance, transition, and inward contemplation. Shetty’s practice is grounded in rigorous training in drawing and painting, supported by formal study of Indian aesthetics. Her works do not follow narrative structures; instead, they invite slow looking and quiet engagement. Figures appear as inward-facing presences rather than portraits, existing...
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“CHITTADARSHANI” Art Exhibition By Contemporary Artist Dhiraj Hadole In Jehangir Art Gallery
From: 23rd to 29th December 2025 “CHITTADARSHANI” Art Exhibition by contemporary artist Dhiraj Hadole VENUE: Jehangir Art Gallery Auditorium Hall 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm www.dhirajhadole.com Holding Space: Dhiraj Hadole’s Geometry Dhiraj Hadole’s work enters the long history of geometric abstraction not through utopian rigidity or formal bravado, but through a quieter, inward recalibration of what geometry can hold within. Where early modernist abstraction like Constructivism, De Stijl, Suprematism, often positioned geometry as a universal language detached from subjectivity, Hadole belongs to a later, more reflective strain of abstractionists that allow structure to coexist with memory, affect, continuity, and care. His compositions recall the disciplined clarity of hard-edge abstraction, yet they resist its doctrinaire coolness. Unlike the mathematically assertive geometries of artists such as early Bauhaus painters, Hadole’s planes feel lived-in. They are not declarations; they are settlements....
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“CHITTADARSHANI” An Art Exhibition By Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole At Jehangir Art Gallery
From: 23rd to 29th December 2025 “CHITTADARSHANI” An Art Exhibition by Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole VENUE: Jehangir Art Gallery Auditorium Hall 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm Dhiraj Hadole Dhiraj Hadole’s work enters the lineage of geometric abstraction not through utopian rigidity or formal bravado, but through a quieter recalibration of what geometry can contain. Hadole belongs to a reflective generation that allows structure to coexist with memory, affect, and care. His compositions echo the discipline of hard-edge abstraction, yet resist its doctrinaire coolness. The planes feel inhabited rather than imposed; edges meet without aggression, and colour operates as mood. Geometry here is closer to a psychological modulation than an optical one. Reduction does not erase feeling, it distils it. Repetition becomes attention, not control. Materially, Hadole’s practice departs from modernist purity. The stitched, layered...
Read More“Manthan” A Solo Exhibition By U.S.–Based Artist Anisha Sanghani, Opened At Kamalnayan Bajaj Art Gallery
Anisha Sanghani’s first International solo show “Manthan” scheduled at Kamalnayan Bajaj Art Gallery, Nariman Point, Mumbai, December 1–6, 2025., embodies a Mythic Storm of Gods, Plastic, and Conscience. An ocean of kaleidoscopic colors unfurls, punctuated by a glimmer of gold. Gods ascend from the waves, and divinity appears revitalized. Nonetheless, upon closer examination, disillusion prevails. The resplendent display is not divine, but rather a searing commentary, as the gods’ smiles dissipate. At Manthan, U.S. based Indian artist Anisha Sanghani rejects painting in favor of protest. Her mythic mixed-media exhibition, presents a world that has corrupted worship into waste. Drawing from the cosmic legend of Samudra Manthan, the churning of the ocean, Sanghani reimagines the myth in a world where the nectar has vanished, the ocean is slick with oil, and all that glitters is plastic. This is not Manthan....
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